@voyou RT @ukblm: Rest in power, Dalian Atkinson. UK police don't need to regularly carry guns to regularly exercise lethal force. https://t.co/MH… 15 Aug 16 Reply Retweet Favorite

The official chart for August 21

New Britney! When I first heard “Do You Wanna Come Over?“, I thought “Britney doing Girls Aloud,” although actually the guitars are more “Sweet Dreams my LA Ex”; either way, this has something of the sound of mid-2000s British pop, the golden age of popism, a sound Britney didn’t embrace at the time (though there is the unreleased recording of “Graffiti My Soul” to speculate about). I didn’t like “Private Show” at all (I don’t know if it counts as a single, but if it did it would surely be Britney’s weakest), but the two songs from Glory released since then have been pretty good; obviously the release of a new Britney album is a stressful time, but the quality of “Clumsy” and now “Do You Wanna Come Over?” is making that stress more about anticipation than trepidation. Read more↴

The Official Chart for August 14

Last two weekends I was in France, which is why I’ve skipped a couple of my regular music posts. While I was there, I read the French edition of Elle, which seemed keen to undermine the stereotype that French people are fashionable, by advocating “urban pirate” as a key look for Autumn; and to undermine stereotypes about French gastronomy with an article on “bread sushi,” which turns out to be a salade nicoise in a bap. The cover story was an interview with Louane, a French pop star I hadn’t previously heard of. The interviewer brought up Taylor Swift on a number of occasions, and Louane’s professionally noncommittal answers to questions about nuit debout made me think she might indeed be a French Taylor Swift. Sadly, her music lacks most of the character that makes Swift so compelling; Louane makes a conventionally bombastic pop-rock that seems to have been fashionable in Europe for as long as I can remember. At her best, she’s pretty good at it, as on the title track of her album Chambre 12; and another track, “Alien,” sounds quite a bit like tATu, so she’s got that going for her. Read more↴

The Official Chart for July 24

Doing this weekly music post thing has encouraged me to seek out more new music, which is good, but is a problem when a record comes along that requires more than a week to really get to grips with. Such a record is Róisín Murphy’s new album Take Her up to Monto, one of the strangest records I’ve heard in quite some time. That strangeness doesn’t prevent it from being very definitely a Róisín Murphy record, quite the contrary; it’s like every strange edge of her previous records but concentrated and expanded upon, until you’re left with an album which feels like the culmination of a trajectory Murphy has always been on, in which lounge and deep house finally become interchangeable. Read more↴

The Official Chart for July 17

New Britney! I was a bit wrongfooted because I assumed she’d come back with a banger, so I wasn’t sure what to make of this more downtempo track. I quite like it; actually, I like the verses and the bridge quite a lot (a new role for Britney to play: power-bottom-ney), but there’s something about the shift to a more obviously uplifting chorus that feels a bit cheap? The guest rap is garbage, obviously, and its presence is inexplicable (who on Earth thinks “I wasn’t going to listen to this Britney record, but now I know G-Eazy is going to be on it…”?). Read more↴

The Official Chart for July 10

https://www.youtube.com/watch?v=Tb2YzWyWpEI

With brides, angelic visitations, and ghosts, Bat for Lashes’s The Bride seems to be aiming at the territory of gothic romance (as does the tendency of the lyrics to use romantic commonplaces like “this heart of mine,” which is arguably appropriate, but which I found distracting). But if the gothic is always about the body, the music on The Bride suggests something else: early morning, shafts of light through curtains, and a delicacy that makes me want to use words like “transcendent” or “ethereal.” Read more↴

The Official Chart for June 26

The new Demi Lovato track is great. I hope the sadboy R&B tendency (Nick Jonas, Zayn Malik) are taking notes on how you should make moody, sexy, records.  Read more↴