New rave, old indie dance
I’m probably not the right age or in the right place to really get New Rave; but still, it seems like a remarkably pointless movement. Hadouken range from alright to quite good, I guess, though “Liquid Lives” seems a bit like a poor man’s Audio Bullys.
More baffling are The Klaxons. “From Atlantis to Interzone” starts of like a pleasant enough rave revival, then turns into fucking Franz Ferdinand for no clear reason. Well, the reason becomes a bit clearer on listening to their awful cover of “Not Over Yet,” which appears to be an attempt to produce a dance record for people who don’t like, or perhaps have never heard, dance music. “We loved that song, and wanted to play it on guitars,” they said, apparently. Well, OK, I guess; but why on earth would anyone want to do that?