@voyou Anthea Turner is trending, which is a good time to remember this banger: https://soundcloud.com/lolitastorm/anthea-turners-tears 6 Mar 21 Reply Retweet Favorite

The Eighteenth Brumaire of Hilary Clinton

People usually describe The West Wing as idealistic. This is reflected in what is taken to be the show’s signature directorial move, the “walk and talk,” in which two characters walk briskly through the corridors of the West Wing engaged in some high-powered discussion of the story of the week; this is a visual representation of the show’s commitment to the idea of the good that can be accomplished by energetic, intelligent, good people. But I always thought the heart of the show was in a slighty different move, that usually appeared towards the end of the episode. Again two characters, but this time usually static, in the muted light of an office somewhere out of the way; one character gives an impassioned speech to persuade the other of the moral rightness of some course of action, and just as this speech reaches its argumentative climax, the character breaks off and says, “but of course, we’ll never be able to implement that policy.” This reveals the cynicism which Žižek identifies as central to idealism: the idea, not just that good people sometimes do bad things, but that the “goodness” of good people is an internal, essential, quality untouched by any bad things they may by chance happen to do; indeed, the very distance between the bad actions and the internal goodness, perversely, comes to be taken as evidence of this internal goodness.

While The West Wing exhibits the cynicism of idealism, there is also a naivete of cynicism. Cynicism operates by revealing that, behind people’s actions lie their true, hidden, motives; but this just reproduces naivete at one remove, with a simple faith in the reality of these underlying motives. What I like about Political Animals is that it challenges this naive cynicism.  Read more↴