Canada’s premiere supernatural drama Lost Girl came to an end last week, more, it has to be said, with a whimper than a bang. The last episode was the resolution of a storyline involving the mysterious dark plots of Bo’s dad (who turned out to be Hades), a storyline that the show has been vaguely teasing since the end of season 2. But this kind of long-running plotline has never been the show’s strong point; it’s “worldbuilding,” for want of a better word, has always been rather incoherent and perfunctory, like a bad RPG quest where an NPC shows up and says “you’ve never heard of me before but I’m here to tell you that this random object you’ve never heard of either is VERY IMPORTANT and you need to go and fetch it.” Much better was the episode a couple of weeks ago, which was a Wizard of Oz pastiche, or a few weeks before that, a flashback set in a high school for valkyries. Or the classic second season episode in which all the characters swapped bodies, or the episode where characters swapped bodies and also were in a belle-époque alternate universe. The show was at its best, in other words, when it was embracing the tropes or formulae popular in fanfiction.