“Yoü and I” is comfortably the worst song on Born this Way (well, on the standard edition; bonus track “Black Jesus / Amen Fashion” is basically everything bad that people who don’t like Lady Gaga say about her songs); an all too accurate re-creation of a dark period of early-90s MOR, painful for all of us who remember the 16-week reign of terror of  “(Everything I do) I Do it for You.” The video is good, though, following Gaga’s usual pattern of stitching together signifiers in the hope of creating some kind of theoretical life. My favorite thing about the video is the presence of Gaga’s drag alter-ego, Joe Calderone. Partly this is just because of a personal, erm, interest in women in masculine clothes, but it also brings up, or at least reminds me of, various questions about essentialism and gender. Read more↴

It’s brave of Meillassoux to begin After Finitude with the argument from the archefossil, because it’s such a terrible argument. Indeed, Meillassoux admits that it is a terrible argument, which the correlationist will have no trouble dispatching; the reason for this, though, is that the discussion of the archefossil isn’t actually supposed to be an argument at all. When I first heard of it, it seemed to be a strange updating of Johnson refuting Berkeley by kicking a stone, with the curious addition of a complicatedly constructed hypothetical stone. But that’s not really how the discussion of the archefossil is supposed to work: the archefossil isn’t supposed to present an example of brute reality and thereby disprove idealism. It is presented and refuted as such during the course of the first chapter, but this argument is really preparing the ground for the real use of the archefossil, which is not to prove something about reality, but rather to raise a question about the relationship between thought and reality. Read more↴

From an excellent post about the shooting of Gabrielle Giffords at Lenin’s Tomb:

Assassination is as American as the hackneyed patriotic schtick that often seems to motivate it. This isn’t about the gallows humour of the Republican right which consists precisely of knowing, wink-wink in-jokes (gun-sight imagery, ‘Reload’, and so on) about the barbarism that already exists, and which they have done so much to cultivate. It’s about what the jokes advert to.

This is a point that needs to be made repeatedly, particularly when the consensus opinion of “reasonable voices” in the media is, as Angus Johnson paraphrased Jon Stewart, “Let’s come together in this crisis, put aside division, and focus on our real enemy: The mentally ill.” Read more↴

Despite his reactionary politics, I have a bit of a soft spot for Roger Scruton. This  stems from taking an aesthetics course as an undergraduate, in which Scruton was the only analytic author who actually discussed aesthetics, who was interested in the sensory qualities of actual works of art. His genuine skill in explaining how the sensory qualities of music relate to its cognizable structure is, however, certainly used for evil in this viciously ignorant article on modern pop music. As Ian Mathers says, it’s a spectacular example of “erudition squandered on a man who refuses to actually engage with the things he wants to demonize; demonizing them because he doesn’t understand.” But it’s instructive to see Scruton going so wrong here, because it illustrates something interesting about aesthetics. Read more↴

We have all reason to rejoice that the things which environ us are appearances and not steadfast and independent existences; since in that case we should soon perish of hunger, both bodily and mental. (Hegel)

If aesthetics is first philosophy, perhaps we should replace the question “why is there something rather than nothing?” with “why does what is, appear?” This is the question that underlies my concerns with Harman’s withdrawn objects. Harman does think that objects do appear despite their withdrawal, and the relationship (tension?) between real objects and the sensuous objects, in which they appear and through which they interact, is central to his philosophy. Harman (or, I should say, Guerilla Metaphysics; doubtless he’s written more on this since) doesn’t address the question of how these sensuous objects appear, and I have difficulty seeing how his philosophy could explain that. If the object is wholly withdrawn, how could anything of the object appear? Indeed, in what way would the appearance of a wholly withdrawn object be the appearance of that object, rather than some other object? In this way, it seems to me that Harman’s theory actually risks destroying the objects it is supposed to be celebrating: if there is no way of understanding the connection between the table and the appearance of a table, in what sense is the thing genuinely a table, or a horse, or The Decline and Fall of the Roman Empire? Read more↴

Recent posts at Object Oriented Philosophy and Larval Subjects made me think it’s worth disentangling a number of different ways in which objects could be thought to be “real.” First would be to maintain that objects cannot be reduced to their components, either physical or sensory (that is, there really is a chair over there, not just an aggregate of atoms or sense-perceptions). Second would be maintain that these objects exist independently of human minds, knowledge or perception. Third, this could be expanded to get away from a human/object binary, and so maintain that objects are independent of other objects: that in each interaction of an object with something else, there is something in that object over and above what is involved in that interaction. Fourth, one could universalize this position, saying that, not only is an object never completely involved in any particular relation, but that objects are withdrawn from all relations, that their core being is not involved in any relations at all.

Harman, I think, believes a theory must contain all these elements to genuinely count as a realism about objects; the reason I think it’s interesting to disentangle them is that I’m not immediately grabbed by the object-oriented part of object oriented philosophy. Read more↴