Voyou Désœuvré

DeLillo in White Noise is both funny and astute about the physical embodiment of academic specialization:

The chancellor had advised me, back in 1968, to do something about my name and appearance if I wanted to be taken seriously as a Hitler innovator…. We finally agreed that I should invent an extra initial and call myself J. A. K. Gladney, a tag I wore like a borrowed suit.

The chancellor warned against what he called my tendency to make a feeble presentation of myself. He strongly suggested that I gain weight. He wanted me to “grow out” into Hitler…. I had the advantage of substantial height, big hands, big feet, but badly needed bulk, or so he believed—an air of unhealthy excess, of padding and exaggeration, hulking massiveness.

Which makes me wonder, how should I shape my physical appearance to be appropriate to the kind of academic career I want? Or, have I already, by my sartorial choices, sealed my academic destiny? A troubling thought.

Which brings me to this article discouraging people from doing PhDs (via). Read more↴

Prairie Fire: The Politics of Revolutionary Anti-imperialsm. Political Statement of the Weather Underground I’ve been meaning to scan and upload The Weather Underground’s Prairie Fire for some time. It’s a fascinating book, written in 1974, just as the transition from the crisis of Keynesianism to the ascent of neoliberalism was taking place, and it’s a fine attempt to understand this change and how economic change, alongside the dissolution of the movements of the sixties, would effect forthcoming political activity. Not that they got everything right; their prediction of a revolutionary upsurge was sadly inaccurate and, given that, it turns out that they overestimated the role that would be played by armed struggle in the rest of the decade. On a more theoretical, rather than strategic, level, they did much better, however; it’s particularly interesting to read their materialist sketch of the intersections between capitalism, race, and gender, although it is a little depressing to realize how little influence this kind of analysis has had since then, with so many accounts of intersectionality tending towards the idealist and post-Marxist.

The cover for Monaé's "The Chase Suite" shows her as a damaged cyborg in gleaming white plastic. A while back, I was re-reading Isaac Asimov’s series of novels about robots. There’s something faintly uneasy about them, which I’d meant to blog about at the time. The underlying theme of the books is the effect of robot labor on society; and the key thing which distinguishes robots from other types mechanization is that they are sentient, which makes the situation uncomfortable like slavery, a similarity which is always present in the books, but is not dealt with explicitly. This does raise a question for cybernetic communism, though: the usual assumption is that mechanization will abolish, or at least minimize, necessary labor, but what if this depends on an unjustified humanism, an assumption that we can simply farm our work off onto dumb machines? But shouldn’t a sufficiently complex assemblage of machines have some kind of say in its own future? Read more↴

k-punk:

Everyone thinks they know what Freud says, it’s all about sex. Freud says the opposite of course. For humans, there is no sex, in the ‘biological’ sense.

Dorothy L Sayers:

“It’s no use saying vaguely that sex is at the bottom of all these phenomena—that’s about as helpful as saying that human nature is at the bottom of them. Sex isn’t a separate thing functioning away all by itself. It’s usually found attached to a person of some sort.”

“That’s rather obvious.”

“Well, let’s have a look at the obvious. The biggest crime of these blasted psychologists is to have obscured the obvious.… Do all these facts taken together suggest nothing to you beyond a general notion of sex repression?”

Gaudy Night

 I’ve been reading Dorothy L. Sayers’s Murder Must Advertise. Above all, it makes me want to live in the twenties, when it would have been possible to call oneself a “Bolshevist,” but it is a fine book for many reasons, including this description of early Fordism: Read more↴

The internet has managed to replace some of my misplaced happy hardcore, including a couple of tracks that were favorites of John Peel (or “Fat Jack” as he used, implausibly, to claim people called him). This reminds me that my sister gave me a copy of Peel’s autobiography a little while ago. It’s pretty good; or, rather, the first half, written by Peel himself, is good, particularly if you read it to yourself while doing a bad John Peel impersonation. His description of his time at school is interesting, and his account of living in America suggests, without being overly confessional or falsely modest, that he may have been a bit of a dick, sometimes. The second half, written by his wife, is not so good; while I was surprised to discover just how involved in the counter-culture Peel was, it’s hard to get enthusiastic about a book written in the style of one of those family newsletters that people send in to Simon Hoggart.